
DEAF HAVANA
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Deaf Havana are a well oiled, beer-guzzling, bear-fighting, rock machine. The 5 East Anglian guys exploded right onto the touring scene in December 2005, and since then have gone through various line up and genre explorations to find a niche in the market that they enjoy throwing themselves around the stage (and studio) too.
Taking influence from Glassjaw, The Bled, Poison The Well and many other bands of the southern rock/post-hardcore persuasion, these guys are sure as hell gonna rip apart any town they come too.
All Forgotten
All Forgotten are a 5 piece rock band from Woking in surrey. We take in a number of influences and inspirations, be they musicial, artistic or just the trials and tribulations of life to write and play what we want to hear. We've been lucky enough to play with the likes of Drop Dead Gorgeous, Burn Down Rome, We Are The Ocean, You Me At Six and Flood of Red. We write music for ourselves, and we think it's rad that people like hearing our stuff as much as we love playing it. Francesqa
After forming a mere 10 months ago Francesqa have really taken the UK with a firm grasp. Gaining supports with the likes of The Automatic, Deaf Havana, The Mission District and Futures and a debut single that sold out within a week. 2010 looks to be a breaking year for the band with their debut EP hitting stores in June. Keep your eyes peeled for their energetic yet majestically melodic sound that has already gained plaudits from Kerrang and Rocksound.
Floods
Some kind of super group with all manner of sexy men from loads of crabxdown bands from around the Herts area. Melodic riffage and light/shade vocals in every direction.
Closed Eyes In Venice
Closed Eyes In Venice are a 4 piece metal band from Luton. With each member taking heavy influence from bands like Our Last Night, Confide, Underoath and The Devil Wears Prada and sharing the stage with bands like All Forgotten, Dividing The Line, Proceed, Young Guns And My Passion, this young band are creating a very epic sound matched with energetic stage performances. Comments
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